Censorship in Comic Books Essay

In an bestride of video-game violence and the nearly-anything-goes Internet, its instructive to read that once upon a time, not that long ago, Congress wasconcerned about what was widely viewed as a serious menace to American youth comic books. David Hajdus The Ten-Cent chivy is both cultural history and cautionary tale about censorship. Its a well-written, detailed look at how comic books became a phenomenon in the early 1950s and how authorities cracked down on the almost popular form of entertainment in America. At the time, comics were selling more(prenominal) than 80 million copies a week. But unlike movies and the new TV industry, they were unregulated at least for a while. Their content was shifting from the dreadful exploits of superheroes to edgier and darker material stories of crime, vice, lust and horror.Congress held televised hearings on what was described as the railroad tie between comics and juvenile delinquency. Bill Gaines, publisher of EC Comics, was high o n amphetamines as he haplessly tried to explain how an illustration of a homosexual holding a severed head could be in intelligent taste. States and cities passed laws to ban or limit sales. Schools urged students to bring their comics to school to be burned-over in celebratory bonfires. In 1954, comic-book publishers adopted a code that illegalize the words terror and horror and declared that policemen, judges, government officials and respected institutions shall neer be presented in much(prenominal) a way as to stimulate disrespect for established authority.The author, a critic for The New Republic, is sympathetic to the artists and writers caught up in the hysteria over comic books. His research is impressive. His appendix lists 15 pages of names of those who never again worked in comics after the purge of the 1950s. Gaines, who had such a disastrous time at the congressional hearings, had the last laugh. To deflect censorship of the code, he converted one of his comics i nto a magazine format. afflictive became the most popular and satirical youth magazine of the 60s and 70s. (c) USA TODAY, 2008 reservoir USA Today, MAR 20, 2008Item J0E400932994108